設計單位? SpActrum譜觀

項目地址? 浙江杭州

建成時間? 2024年6月

建筑面積? 275平方米

本文文字由設計單位提供。

位于杭州的M2培訓中心，由SpActrum譜觀建筑設計，已經正式落成。這個空間以圓形劇場為基本原型，通過多中心的三組同心圓相互交疊穿插，將傳統的階梯空間化為漣漪般、蜿蜒的室內景觀，形成一個功能靈活多變，具有諸多可能性的空間。

SpActrum has recently completed the M2 Training Centre in Hangzhou, China, a space designed around the concept of an amphitheatre. The architecture firm has created a multi-centred interior landscape by overlapping three sets of concentric circles, advancing traditional stepped spaces into a fluid, rippling terrain. This design unlocks a versatile space capable of accommodating a wide range of functions.

這是一個不確定功能的空間。除了完成企業總部的培訓功能外，也要具備展示和拍攝的空間潛力。室內空間在此被理解為一種景觀。培訓空間或分享空間在今天常以階梯的方式呈現。這種階梯將行走與坐觀融于同一空間之中。對于譜觀的建筑師而言，這種設計形式以相同的幾何方式適應了不同的行為模式，賦予空間前所未有的松弛感和連續性。盡管這種設計打破了傳統的功能界限，但仍體現出強烈的中心性和話語權力的統一。當代社會需要創新原型來適應并創造多中心的、講述者與觀眾合一的空間場域，從而釋放更多空間潛力，達成更大的空間自由。

The space is intentionally ambiguous in its purpose. While it serves as a training facility for the corporate headquarters, it also holds potential for exhibitions and filming. Today，training and sharing spaces are often arranged in stepped formations. Thus the interior is conceived as a kind of landscape, where steps merge movement and seating into a single, continuous topography. For SpActrum's architects, this geometric approach adapts to various behavioural patterns, imbuing the space with an unprecedented sense of fluidity and continuity. While although it breaks down functional boundaries, it still maintaining a strong central focus and unified narrative power. In today's society, there is a need for innovative prototypes that can adapt to and create multi-centred spaces where speakers and audiences merge, unlocking greater spatial potential and freedom.

設計團隊借鑒和回溯了階梯與觀演結合的最古老原型——圓形劇場，并構想了三組互相交結的以同心圓排布的階梯狀空間。它們一起構成連續變化的地形。設計過程是對三組同心圓幾何特征參數的不斷調整。這些參數主要包括：

SpActrum drew inspiration from the ancient prototype of the amphitheatre, where seating and performance are intertwined, and envisioned three interlocking sets of concentric, stepped spaces. Together, these form a continuously shifting terrain. The design process involved constant adjustments to the geometric parameters of the three concentric circles. Key parameters include:

1、圓心位置。圓心的位置定義了空間群組的關系和基本使用模式。

Centre Point Location. The position of the centre points defines the relationship between spatial groups and the basic usage patterns.

2、階梯高度間隔和增減趨勢。階梯之間應該滿足基本的人的坐高，同時降低行走的難度，避免臺階間隔高度過大。整個空間不再是一個統一的階梯，但仍然呈現出后部高、前部低的總體趨勢，賦予空間更多的潛力。三圓合一，作為一個宣講空間使用。其中，前兩個同心圓圓心是低點，后部的圓心設為高點，強化了“地形”“山坡”這樣的景觀意向。

Step Height and Gradient. The steps must accommodate standard seating heights while ensuring ease of movement by avoiding excessively high intervals. Although the space no longer features a uniform staircase, it retains a general trend of higher steps at the back and lower steps at the front, allowing the space to function as a presentation area when the three circles align. Thus, the first two concentric circles have lower centre points, while the rear circle has a higher one, reinforcing the landscape imagery of "terrain" and "hillside."

3、圓間距，也就是階梯寬度。圓間距受到人的尺度的影響，當作為階梯講壇使用時，其寬度應可以容納人坐在邊緣，并確保其后的空間仍可滿足穿行的需求；而作為穿越性空間時，寬度需提供具有安全感的行走體驗。

Circle Spacing (Step Width). Influenced by human scale, the width of the steps should allow for seating at the edges while leaving enough space for passage. When used as a walkway, the width should provide a sense of security and comfort.

4、圓心偏心旋轉角度。僅靠平面的交接很難實現三組同心圓階梯生動而豐富的交接。正如自然的地形從來不是平面的階梯，抽象自然的同心圓臺階也可以具有與水平面的夾角。這樣的夾角應該足夠小，使行走更容易。同時，臺階之間形成了穿插，沿圓周方向演化為一系列坡道，圓與圓之間因此產生了復雜的交織關系。

Eccentric Rotation Angle. Simply overlapping the circles on a flat plane would not achieve the dynamic and rich intersections desired. By introducing a slight angle to the concentric steps, similar to natural terrain, the steps evolve into a series of ramps along the circumference, creating complex interweaving relationships between the circles.

值得一提的是，這些參數的設定并非固定不變，而是一個相互協調試探的過程。

It is worth noting that these parameters were not determined sequentially but through a process of mutual coordination and experimentation.

空間的基本架構已經完成。在坡道高起的空間下部，具備了容納一個cafe、并為聚集人群提供服務的潛力。借助前部的高空間布置天光，與大廳中部的圓形天光一起為空間提供自然光照。除與大樓的辦公空間相連外，還設有一個直通戶外的簡潔入口。

With the basic structure in place, the raised sections of the ramps create space for a café, serving those who gather in the area. Skylights are strategically placed in the higher front sections, along with a central circular skylight, to flood the space with natural light. In addition to its connection to the office spaces, the centre features a simple, direct entrance leading outdoors.

至此，一個室內的地景完整地展開了。聚集、分享、通行，空間不再賦予行為獨一無二的定義，而是一如自然中的大地。人作為具有適應力、想象力的實體，依照大地的走勢，尋找自己的移動路徑、行為方式，并與之互動。空間以其參數屬性提供一種趨勢，促成某些再次被喚起的活動，卻又不刻板地定義這些活動的邊界。

In this way, an indoor landscape unfolds, where gathering, sharing, and movement are no longer rigidly defined. Like the natural terrain, the space invites people—adaptive and imaginative beings—to navigate its contours, find their own paths, and interact with it. The space, through its parametric design, suggests certain tendencies and encourages activities to emerge organically, without imposing strict boundaries.

完整項目信息

項目名：M2培訓中心

項目所在地：杭州市蕭山區三江匯美人紀·品牌總部

項目面積：275平方米

完工時間：2024年6月

項目客戶：美人紀MREGINA

室內設計：SpActrum譜觀

設計主創：潘巖

設計團隊成員：李真、李春旭

施工團隊：北京京暉裝飾工程有限公司

攝影：張虔希、萬金宇

其他圖片版權：SpActrum譜觀

版權聲明：本文由SpActrum譜觀授權發布。歡迎轉發，禁止以有方編輯版本轉載。

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